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Big Epp

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Posts posted by Big Epp

  1. 1) Don't be afraid to try new things.

    2) Slow down and work on a quality finish.

    3) Don't be in a hurry to sell, build and improve quality first!

    4) Test lures before painting them.

    Merry Christmas and thanks to everyone for all the insight you have shared!!!!!

    • Like 2
  2. Your bait looks good! Glad to hear the lake test was more promising. I've been wondering lately a lot about the differences between one and two piece glides in terms of action and effectiveness, so this thread has been fun!

    I'm pretty sure this is the picture I used for the profile. It's an arowana, which, while not local to Illinois, look awesome! I made the first one as a wake'n'crank earlier this year.

    Screenshot_20220415-153414_Google.jpg

  3. I just recently made a 6-in glide bait and instead of distributing the weight across the length of the bait I used a single lead hole at the point of balance on the lure. I've also made several much smaller glide baits and used two lead holes equidistant from the balance point. I found that both of those approaches produced a very nice glide, but none of those had plastic tails.

    Are you talking more about a hard plastic thin like on a hellhound or some of the other musky glides?

    As for getting it subsurface, what kind of wood are you using? A lot of the musky glide baits are made with a more dense wood like maple. The one that I just made I actually made of oak. With the one lead hole for balance and weight it slow sinks very nicely. I would imagine something like a hard Pine might also work, but for a Glide bait I probably wouldn't use a more buoyant wood like cedar, redwood, basswood, etc...

    • Like 1
  4. Funny you should mention glide baits...

    I just weighted a 6" arowana glide bait and swam it today. This one is made of oak and has a single lead hole at the point of balance. The hole does (I think) go up past the centerline. It has a good side to side glide and a very nice shimmy as it falls.

    Could flat sides have anything to do with the shimmy?

    And yes, I believe the centerline goes nose to tail down the middle of the side.

    @mark poulson i have never even seen a 7lb largemouth, so nice work!

    • Like 2
  5. I've only done this once, but I have some gold powder paint that I mixed into epoxy. I had some in a cup for coating some jig heads, and when I poured the cup back into the main container there was some left in it. I added epoxy and coated a couple lures.  It looks good so far!

    410044630_GlitterTopCoat.jpg

    • Like 3
  6. 22 hours ago, Travis said:

    As mentioned several ways of making do and in the right hands all will give excellent results.  Now the issue is developing the skill set to do it well and not have it coming off like a 4 year old finger painted it.

    I think that's a pretty big key to it!  I tried the "paint wash" method, and it is definitely something I'd need to practice a lot to get any good at.  Brush painting is quite a bit different that airbrush painting!

    Part of the idea behind the post in the first place is the idea of being highly mobile.  I've been reading about families who "roadschool," in which they travel around the country in an RV, converted school bus, or camper.  Generally this is a couple year journey, and they get to take their kids all over the country and see all sorts of things, emphasis put on first hand experiences instead of textbook knowledge.  One dynamic of this includes limited storage space... I would't be able to bring my whole shop, so I've been "what if-ing" my way through the process, what tools would I bring, what type of lures would I make, would I just take a break (probably not!), how would I simplify the whole process as much as possible.  

    One bonus of this idea is my kids and I could catch fish in all 48 continental states and maybe some provinces in Canada too!  Oh the possibilities...

    • Like 1
  7. Lots of great ideas! It's interesting to think back to the beginning.

    I've been reading books on carving and paintings birds (decoys, decorative, etc) and came across an interesting technique for working with acrylics. Basically, you dilute the paint to the consistency of milk and then apply it in multiple, thin washes. It sounds very similar layering paint within an airbrush. I'm going to try it out and see how it goes.

  8. I've only done one, so I'm nowhere near an expert.  I used the brush for fins, not the tail on this one, but I'd assume it's a similar process. I  used an old paintbrush and used superglue to install it.  I trimmed mine after installation. image.thumb.jpeg.4aad6dd3ba5df2e2a4a33b4378cb3c8e.jpeg

    • Like 1
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